I — Origins
As a young chorister with the Vienna Mozart Boys' Choir, I learned early how art, atmosphere and staging can shape what people feel. Concert tours took me through Europe, the United States, Japan and Singapore. Among the most formative experiences of those years remains my role in Franco Zeffirelli's legendary Carmen production at the Vienna State Opera — a world of light, stage, emotion and visual dramaturgy that has shaped my eye ever since.
Later I remained connected to the Mozart Boys' Choir on the organisational and management side. International productions such as Christmas in Vienna with Plácido Domingo and Dionne Warwick took shape in those years — projects in which music, aesthetics and emotional staging came together in a particular way.
